Anja's Tattoo - A Brother and Sister Find Common Ground

Anja's Tattoo - A Brother and Sister Find Common Ground

Anja was visiting New York City from Denmark earlier this fall, when she ran into me in Penn Station. Of course, I was thrilled when she agreed to share this tattoo with us here on Tattoosday:

This tattoo on Anja's calf is based on the cover art from Es ist soweit, a 1990 album from a German band called Böhse Onkelz.

This record has significant meaning for Anja because it helped bring her and her brother together. She explained that they lived apart and didn't talk much, growing up in separate households. She was living with her grandmother, and came to visit her father and she was walking past her brother's room and heard him listening to this record.

The music brought them together, as she stopped to talk to him about it, learned that he had been listening to Böhse Onkelz longer than her, and this common ground broke the ice. Whereas before they had very little to talk about, Anja credits the band and this album with helping establish ties with her brother.

The top of the tattoo starts a lyric

and ends with

The lyric in question, "Let's forever be that Rebel Monster" is actually from a song by Volbeat, a Danish rock band, on their first album The Strength/The Sound/The Songs. The date below, "29-07-19--" is her brother's birth date.

This cool, meaningful tattoo was inked in Denmark by an artist named Dennis Wehler. I love how the words seem to be carved in her flesh.

Thanks to Anja for sharing this wonderful tattoo with us here on Tattoosday!

As a bonus, here's a little "Rebel Monster" from Volbeat:

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Two Rocking Tattoos from Joe

Two Rocking Tattoos from Joe

I met Joe last month outside of Penn Station and he shared two tattoos with us.

First is this hellcat:

Why this cat? It's a design, Joe says, inspired by the band Rancid, whose music appears on Hellcat Records.

Not to mention, he likes cats. Need he have more reasons? That's on his upper left arm.

I'm more excited to share this photo, which actually is a rare Tattoosday shot in which one can see the contributor's face. I could have cropped it out, but I think it's a cool shot.

This tattoo arose out of Joe's desire to have some body art made with red ink. The design is based on the album art for a disbanded musical act out of Washington called Isa.

The two tattoos are among five Joe has in total and were done by Milton Sillas at Tattoo Royale in the Pacific Beach section of  San Diego, California.

Thanks to Joe for sharing his ink with us here on Tattoosday and for waiting so patiently for me to get to his tattoos. The summer backlog is both a bane and a blessing.

As a postscript, readers familiar with the site will notice that I've watermarked these photos. I've grown tired of seeing Tattoosday content appropriated elsewhere on the web, without attribution. This is an attempt to maintain credit of our content here at Tattoosday.

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The Tattooed Poets Project: Julie Platt

The Tattooed Poets Project: Julie Platt

I always feel like I'm not doing a tattoo justice when it wraps around a curved limb. Generally, I will be reluctant to showcase a piece without displaying the entire tattoo, even if that means multiple pictures shot from different angles.

Today's tattoo is one of those rare designs that is worth sharing, even if the reader can't behold every inch of it.

Julie Platt sent these photos, along with an explanation, which follows:




Julie says

"It's the audio waveform of a blackbird song made into bracelet around my left wrist. It's inspired by an image on the cover of Kate Bush's album Aerial.


I got this tattoo to commemorate earning my MFA -- I wanted something visible to remind me of poetry, whose root is song."

The tattoo was inked by Chris Boilore at Fish Ladder Tattoo, in Lansing, Michigan.

Check out one of Julie's poems over on BillyBlog here.

Julie Platt was born and raised in Pittsburgh and now lives in Michigan. Her print poetry chapbook, In the Kingdom of My Familiar, was published by Tilt Press in 2008. My mini e-chapbook, Imitation Animals, was published by Gold Wake Press in 2009. Two poems from
Imitation Animals were selected to appear in Dzanc Books' Best of the Web 2010. My work will also appear in the forthcoming e-anthology Poems to Sweat By: Hungry Young Poets 2009, published by VanVinkinroy's Indie e-Book Emporium.

Thanks to Julie for sharing this great tattoo with us here on Tattoosday!

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Two for Tattoosday: Vanessa's Ink (Two Hearts Beat as One)

Two for Tattoosday: Vanessa's Ink (Two Hearts Beat as One)

I met Vanessa last week and she generously shared two of her wonderful tattoos.

This piece on her inner right forearm was her first tattoo:



This design is based on the album cover of Poison the Well's You Come Before You.


Vanessa explained that this was the album she listened to when she was visiting her mother in the hospital. Her mom recovered, and she associates the record with this time of her life. The tattoo celebrates those moments.

The second piece she shared was inspired by her father:


Unlike with her mom, Vanessa does not have a relationship with her dad. The optimistic banner "may we meet again" is a glance forward, toward the possibility of someday reconnecting with him.

This large tattoo, on her right biceps, took eight hours, all in one sitting. The detail of the anatomically-correct heart is amazing. Vanessa pointed out how the artist added flowers to the design, as well as the rays of light in the upper right corner to create the shape of a figurative heart, as well.

Both pieces were created by Anthony Mealie at Tattoo Lou's in Selden, New York.

Work from that shop has appeared previously here.

Thanks again to Vanessa for sharing her wonderful tattoos with us here on Tattoosday!

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Gregory's Defenders of the Faith Tattoo

Gregory's Defenders of the Faith Tattoo

Gregory walked by me on Seventh Avenue in front of Madison Square Garden and I saw a familiar icon from my youth:


As a huge fan of Judas Priest in the 1980's, I recognized the basis for this tattoo immediately: the cover art for the 1984 album Defenders of the Faith.


Gregory has four tattoos and is a fan of Japanese-style art. This album and its predecessor, Screaming for Vengeance, boasted cover art that had a distinct Japanese influence.

He worked with the artist, C-Jay at Rising Dragon in Manhattan, to modify the design slightly, removing the tank treads and other militaristic elements from the original design.


Thanks to Gregory for sharing his amazing tattoo with us here on Tattoosday!

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